Book Club

In this darkly comic work of literary satire by New Zealand’s most acclaimed and best-selling novelist Tama, a talking magpie and social media influencer, is the sole witness to a marriage in freefall. Tama is just a helpless chick when he is rescued by Marnie. ‘If it keeps me awake,’ says Marnie’s husband Rob, a farmer in the middle of a years-long drought, ‘I’ll have to wring its neck.’ But with Tama come new possibilities for the couple’s future.

Tama’s fame is growing, and with it, his earning potential. The more Tama sees, the more the animal and the human worlds – and all the precarity, darkness and hope within them – bleed into one another. Like a stock truck filled with live cargo, the story moves inexorably towards its dramatic conclusion: the annual Axeman’s Carnival.

Part trickster, part surrogate child, part witness, Tama is the star of this story. And although what he says to humans is often nonsensical (and hilarious), the tale he tells makes disturbingly perfect sense. The Axeman’s Carnival is Catherine Chidgey at her finest – comic, profound, poetic and true.

Perennially on the outside, Brian has led a solitary life; he works at Camden Council, lunches every day at Il Castelletto café and then returns to his small flat on Kentish Town Road. It is an existence carefully crafted to avoid disturbance and yet Brian yearns for more. A visit one day to the BFI brings film into his life, and Brian introduces a new element to his routine: nightly visits to the cinema on London’s South Bank.

Through the works of Yasujiro Ozu, Federico Fellini, Agnes Varda, Yilmaz Güney and others, Brian gains access to a rich cultural landscape outside his own experience, but also achieves his first real moments of belonging, accepted by a curious bunch of amateur film buffs, the small informal group of BFI regulars. A tender meditation on friendship and the importance of community, Brian is also a tangential work of film criticism, one that is not removed from its subject matter, but rather explores with great feeling how art gives meaning to and enriches our lives.

Sarajevo, spring 1992. Each night, nationalist gangs erect barricades, splitting the diverse city into ethnic enclaves; each morning, the residents – whether Muslim, Croat or Serb – push the makeshift barriers aside. When violence finally spills over, Zora, an artist and teacher, sends her husband and elderly mother to safety with her daughter in England.

Reluctant to believe that hostilities will last more than a handful of weeks, she stays behind while the city falls under siege. As the assault deepens and everything they love is laid to waste, black ashes floating over the rooftops, Zora and her friends are forced to rebuild themselves, over and over. Theirs is a breathtaking story of disintegration, resilience and hope.

A riveting, poetic and powerful work from the author of the International Booker Prize-winning novel The Vegetarian. ‘Exquisite, painful and deeply courageous’ Philippe Sands, Best Books of the Year, Guardian Gwangju, South Korea, 1980. Amid a violent student uprising a young boy named Dong-ho is killed.

As his friend searches for Dong-ho’s corpse, we also meet an editor struggling against censorship, a prisoner and a factory worker, each suffering from traumatic memories, and Dong-ho’s grief-stricken mother. Through their collective heartbreak and acts of hope comes a tale of a brutalised people in search of a voice. A modern classic, Human Acts has been both a controversial bestseller and an award-winning book in Korea, and it confirmed Han Kang as a writer of international importance.

Please note February’s bookclub is on Tuesday 4th at 6.30pm (instead of the first Wednesday of the month). This is because we other shop events on 5th and 12th. See you then!

‘So bold and so vulnerable at the same time. I don’t know how she did it’ – Phoebe Waller-Bridge

Now with an introduction from Dolly Alderton, author of Everything I Know About Love, revealing how a new generation of women can take inspiration from Nora’s sharp wit and wisdom about life.

* Never marry a man you wouldn’t want to be divorced from. * If the shoe doesn’t fit in the shoe store, it’s never going to fit. * When your children are teenagers, it’s important to have a dog so that someone in the house is happy to see you. * If only one third of your clothes are mistakes, you’re ahead of the game. * Anything you think is wrong with your body at the age of thirty-five you will be nostalgic for by the age of forty-five.*

‘I give this as a present more than other book. I buy it for people so often that I’ve been known to give girlfriends two copies, one birthday after another’ – Dolly Alderton

As has become tradition now at Jaffé & Neale, December’s book club gathering on Wednesday 4th December is an invitation for regulars and new members to discuss their favourite books of the year for a couple of minutes!

Patrick has also ‘promised’ mulled wine…

We look forward to seeing you there.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists – he a photographer, she a dancer – trying to make their mark in a city that by turns celebrates and rejects them.

Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it.

With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years. ‘An amazing debut novel. You should read this book.

A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe.

Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day. Yet although separated from the world they cannot escape its constant pull.

News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction. The fragility of human life fills their conversations, their fears, their dreams.

So far from earth, they have never felt more part – or protective – of it. They begin to ask, what is life without earth? What is earth without humanity?

In the first decades of the 21st century, the world is convulsing, its governments mired in gridlock while a patient but unrelenting ecological crisis looms.

America is in upheaval, battered by violent weather and extreme politics. In California in 2013, Tony Pietrus, a scientist studying deposits of undersea methane, receives a death threat. His fate will become bound to a stunning cast of characters a broken drug addict, a star advertising strategist, a neurodivergent mathematician, a cunning eco-terrorist, an actor turned religious zealot, and a brazen young activist named Kate Morris, who, in the mountains of Wyoming, begins a project that will alter the course of the decades to come.

From the Gulf Coast to Los Angeles, the Midwest to Washington, DC, their intertwined odysseys unfold against a stark backdrop of accelerating chaos as they summon courage, galvanize a nation, fall to their own fear, and find wild hope in the face of staggering odds.

As their stories hurtle toward a spectacular climax, each faces a reckoning: what will they sacrifice to salvage humanity’s last chance at a future? A singular achievement, The Deluge is a once-in-a-generation novel that meets the moment as few works of art ever have.

Nobel Laureate Gabriel García Márquez, author of One Hundred Years of Solitude and Love in the Time of Cholera, tells a powerful tale of poverty and undying hope in his moving novel No One Writes to the Colonel. ‘The Colonel took the top off the coffee can and saw that there was only one spoonful left’Fridays are different. Every other day of the week, the Colonel and his ailing wife fight a constant battle against poverty and monotony, scraping together the dregs of their savings for the food and medicine that keeps them alive.

But on Fridays the postman comes – and that sets a fleeting wave of hope rushing through the Colonel’s ageing heart. For fifteen years he’s watched the mail launch come into harbour, hoping he’ll be handed an envelope containing the army pension promised to him all those years ago. Whilst he waits for the cheque, his hopes are pinned on his prize bird and the upcoming cockfighting season.

But until then the bird – like the Colonel and his wife – must somehow be fed. . .